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Featured 1 month ago

Production Director

Why this role matters: The Production Director is directly responsible for all of the technical details in the audio, video and lighting areas within our wee...

Church Turning Point Church

Published after automated listing checks.

Location McDonough, GA

On-site • Full-Time

Compensation Range requested

Visible up front so the fit is easier to judge.

Application path Apply through the Job Board

Portfolio, availability, and context stay attached.

Role snapshot

A clearer read before you apply.

Why this role matters: The Production Director is directly responsible for all of the technical details in the audio, video and lighting areas within our wee...

Specialty Production Tech
Schedule Full-Time
Work style On-site
Posted 1 month ago
Use outside application linkProduction Tech
Creative fit Suggested context

Why this role matters.

The Production Director is directly responsible for all of the technical details in the audio, video and lighting areas within our weekend worship experiences. The Production Director manages all AVL equipment, including the purchase, maintenance, organization and operation of all AVL equipment for all locations. The Production Director seeks to add value through the use of technology and creative strategies that help Turning Point Church accomplish its mission and goals.

Environment

Sunday production support, technical audit, documentation, training, and practical improvements that volunteers can maintain.

Tools + systems
  • ProPresenter
  • Livestream routing
  • Encoders
  • Church websites
Who thrives here
  • Systems thinker
  • Patient teacher
  • Practical troubleshooter
Proof to include
  • ProPresenter cue examples
  • System diagrams
  • Livestream examples
  • Training or documentation samples

Responsibilities

  • Translating a creative or ministry vision into a practical technical execution.
  • Building and executing complete service flows across audio, lighting, video, lyrics, playback/tracks, and other production elements.
  • Anticipate technical and programming needs before rehearsals and services.
  • Leading rehearsals and ensuring production Leading both staff and volunteer production teams.
  • Recruit, train, develop, schedule, and retain volunteers.
  • Developing people from beginner-level volunteers into capable operators and leaders.

Requirements

  • 3–5+ years of hands-on experience in live production, preferably in a church or similar live-event environment.
  • Experience overseeing production for weekly services, rehearsals, special events, and other ministry environments.
  • Strong working knowledge of live audio, including FOH mixing, monitor/IEM systems, RF coordination, signal flow, system troubleshooting, and audio networking.
  • Experience with professional digital audio consoles
  • Allen & Heath dLive experience is strongly preferred.
  • Experience with Waves/SoundGrid or similar live plugin processing systems.

Benefits + notes

  • FT Salary
  • Cell Phone Reimbursement
  • Medical & Dental Insurance
  • Flexible PTO
  • 403 B Matching Options
Application flow

What happens after you apply.

Your proof and answers stay with the application.

  1. Send proof of work, availability, and the details the church needs.
  2. The application attaches to the hiring dashboard.
  3. Track status from your dashboard.
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Attach proof and answer the basics. The hiring team sees everything in one place.

Portfolio, reel, or work samples Church, ministry, or volunteer context Availability and compensation expectations

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